Tag: myths and legends

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Myths and Legends

The Legend of Mami Wata

Poster of Mami Wata printed in the 1880’s by the Adolf Friedlander Company in Hamburg

June 25th is the feast day of a powerful water goddess in African mythology. Her name is Mami Wata or Mamba Muntu in Swahili. Mami Wata means Mother Water. She is a water deity or mermaid. She is deeply rooted in the ancient traditions and culture of the coastal Southeastern Nigerians.

According to Nigerian tradition, Mami Wata is a fertility goddess and is associated with sex and seduction.

Like most mermaids, Mami Wata can seduce, bewitch, and intrigue humans. She is a beautiful creature, shrouded in mystery, yet beware, for Mami Wata is a vengeful mermaid and not one to be messed with.

There is a lot of symbolism of the items associated with Mami Wata and her followers would perform various ceremonies in her honor. The mirror represented the movement from the present to the future; her followers would create their own reality imagining themselves in the world of Mami Wata.

Mami Wata has many priests, priestesses, and mediums in Africa, America, and the Caribbean who worship her and praise her.

In Nigeria, her followers wear red and white clothing to represent Mami Wata’s dual nature. They wear regalia of a cloth snake wrapped around the waist. The shrines devoted to Mami Wata are finely decorated in various colors. They have bells, Christian or Indian symbols, dolls, incense, and remnants of past sacrifices made to Mami Wata.

Her followers use music to praise the goddess, using African guitars and other instruments, while dancing heavily. Mami Wata’s followers dance so intense, that they appear to be in almost like a trance-like state.

 

Sculpture of the African water deity Mami Wata. Nigeria (Igbo). 1950s

According to one legend, Mami Wata was very beautiful black woman with a voluptuous figure. She had long black hair, an entrancing gaze, a beautiful singing voice, and the lower half of her body was a tail or serpent. Like many other mermaids, Mami Wata enjoyed mirrors, jewelry, and intricate combs. Mami Wata is often depicted with by a large snake wrapped around her torso and it’s head on her breasts.

Mami Wata is known for abducting her followers or random people, while they are swimming or fishing. She takes them to her spiritual world and/or underwater. If her followers return back to the human world, their clothes are dry with a newfound understanding of the spiritual world.

In other legends, men or river travelers, discover Mami Wata by chance. She is grooming herself, by staring at herself in the mirror and combing her long hair. Once she notices the intruder in her territory, she flees, leaving her precious items behind. The traveler takes the items. She later returns in the travelers dreams, demanding that they return her things. If he returns her items, he must promise to fulfill her sexual faithful to her and will receive riches. If he doesn’t, than he will be plagued with bad luck and misfortune.

While the stories of Mami Wata vary, based on region vary, one thing is for certain, that the symbolism, meaning, and powers of Mami Wata have remained the same. She’s a powerful water goddess associated with fertility,  wealth, the water, all while yielding sexual prowess and strength. She’s a water goddess that should be respected and feared.

 

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Myths and Legends Pop Culture

Feast of Li Ban Muirgen, The Irish Mermaid Saint

Saint Li Ban Muirgen of Ireland

January 27th is the feast day of Saint Li Ban Muirgen of Ireland. She is a lesser-known mermaid Saint of Ireland and her story is miraculous and mystifying.

Saint Li Ban Muirgen’s story dates back to the 6th century and passed down generation to generation with the oral tradition of scéalaíocht or storytelling. It was also was preserved in the medieval manuscript of Annals of the Four Masters, which isa compilation of medieval Irish legends written by Irish monks in the 17th century.

So, who was this mermaid Saint?

Our story begins in the year 558. Li Ban (meaning beautiful woman in old Irish) was the daughter of Eochaidh, King of Ulster.  When her father’s kingdom flooded, drowning all its inhabitants except for Li Ban and her dog, forming the Lough Neagh Lake.

Li Ban spent the next year, living under the lough with her dog. She would pray to the goddess Danu, asking to be turned into a salmon, so she could swim with the fish for company. Danu, did grant Li Ban’s wish, but only half of it. Li Ban’s dog became an otter and she was transformed into a mermaid.

Li Ban swam out of the lough and out into the sea. She lived in an underwater cave and like most mermaids, had the most beautiful singing voice. Li Ban drifted for three-hundred years, fulfilling a prophecy:

Liban will swim eastwards, westwards, hither, thither, over each sea.

300 years had passed, when Comgall had founded the monastery  in Bangor, that is known as the Bangor Mor. The Bangor Mor was revered throughout all of Ireland and became a place, where many young men came to study.

One day, Comgall sent Beoan and the monks to Rome with a message for Pope Gregory. While they were out at sea, Beoan caught Li Ban in his fishing net and she promised to return to them in a year.

A year had passed, Li Ban came ashore as promised, and Comgall baptized her with the name Muirgen. Li Ban passed away not long after her baptism. Comgall had promised Li Ban a heavenly reward and she became known as the Mermaid Saint.

Perhaps the most remarkable thing about Saint Li Ban Muirgen’s story is that there are remnants of it today. If you journey to Bangor, there is an abbey that remembers Comgall and the mermaid with a quilt, hanging on the transept wall, depicting the story of the mermaid.

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Myths and Legends Pop Culture

The Mermaid by Alfred Lord Tennyson

A Mermaid by John William Waterhouse (1900)

Alfred Lord Tennyson had written a poem titled The Mermaid that was included in his 1893 novel, The Works of Alfred Lord Tennyson. The poem below:

The Mermaid 

I. 

Who would be
A mermaid fair,
Singing alone,
Combing her hair
Under the sea,
In a golden curl
With a comb of pearl,
On a throne?

II. 

I would be a mermaid fair;
I would sing to myself the whole of the day;
With a comb of pearl I would comb my hair;
And still as I comb’d I would sing and say,
Who is it loves me? who loves not me?
I would comb my hair till my ringlets would fall
Low adown, low adown,
From under my starry sea-bud crown
Low adown and around,
And I should look like a fountain of gold
Springing alone
With a shrill inner sound,
Over the throne
In the midst of the hall;
Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
And all the mermen under the sea
Would feel their immortality
Die in their hearts for the love of me.

III. 

But at night I would wander away, away,
I would fling on each side my low-flowing locks,
And lightly vault from the throne and play
With the mermen in and out of the rocks;
We would run to and fro, and hide and seek,
On the broad sea-wolds in the crimson shells,
Whose silvery spikes are nighest the sea.
But if any came near I would call, and shriek,
And adown the steep like a wave I would leap
From the diamond-ledges that jut from the dells;
For I would not be kiss’d by all who would list,
Of the bold merry mermen under the sea;
They would sue me, and woo me, and flatter me,
In the purple twilights under the sea;
But the king of them all would carry me,
Woo me, and win me, and marry me,
In the branching jaspers under the sea;
Then all the dry pied things that be
In the hueless mosses under the sea
Would curl round my silver feet silently,
All looking up for the love of me.
And if I should carol aloud, from aloft
All things that are forked, and horned, and soft
Would lean out from the hollow sphere of the sea,
All looking down for the love of me.

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Myths and Legends

Grimm’s Fairy Tale of The Nixie in the Mill-Pond

Illustration by Otto Ubbelohde to the fairy tale The Nixie of the Mill-Pond

The Nixie of the Mill-Pond was written by the Brothers Grimm and is included in their collection of the Grimm’s Fairy Tales that was published in 1857.

The Nixie of the Mill-Pond tells the story of a miller and his wife, who are on the brink of losing their mill farm. One day, a beautiful nixie ascends from the water and visits the farm, calling the miller by name. The miller confides in the nixie about the state of the mill farm and how he’s going to lose his livelihood and home. The nixie strikes a deal with the miller, that he will give him wealth, if he gives her whatever is born that morning. The miller assumes that the nixie is talking about a dog or farm animal, so he agrees to the hasty deal.

When the miller returned home, his wife had given birth to healthy baby boy. It doesn’t take long, for the miller to come to the realization that the nixie knew that his wife was giving birth to his son and that he owed the nixie his son. The miller and his wife are perplexed on what to do, since they don’t want to give the nixie their child.

Years pass, the miller”s wealth grows, as does his son. Yet, the miller is still concerned about the nixie returning to collect his son.

The son became a skilled hunter and marries a girl from a nearby village. One day, the son shoots a deer and washes the blood from the deer in the mill-pond. The nixie snatches the son, taking him underwater with her.

The Nixie of the Mill-Pond illustration by H.J. Ford

When he didn’t return home, his wife becomes worried, and suspects that the nixie is behind his disappearance. She goes to the pond and calls out her husbands name and the nixie, begging for his return. She falls asleep at the waters edge and has a vivid dream, that she is climbing up a cliff and meets an old woman, inside a cottage. She wakes up the next morning, and does exactly what her dream had told her to do, so she goes up the mountain and finds a cottage with an old woman inside. The old woman, gives her a gold comb and instructs her to comb her hair at the pond’s edge on a full moon and set the comb on the water’s edge, once she’s done. Her husband rises to the surface, briefly, sorrowfully, then a wave drags him back into the water.

The wife is unsatisfied with having only seen a glimpse of her husband, so she returns to the old lady in the cottage. The old woman hands the wife a golden flute. She instructs her to play it on a full moon at the pond’s edge, just as before. She does as she’s instructed and places the flute on the sand.  Her husband partially ascends from the depths of the pond and is once again, dragged down from a wave.

The wife visits the old woman at the cottage for a third time. She is desperate to be reunited with her husband. The old woman gives her gold spinning wheel and instructs her to spin flax under the full moon, until she had a full spool to place on the bank of the pond. The wife does as she’s instructed, and this time, her husband breaks free from the water, enraging the nixie. The nixie conjures a large wave to pull the couple into the water, but they escape.

The couple goes to the old woman for help and she transforms the couple into frogs. A flood transports the couple to the pond, where they are transformed back into their human forms, but are separated from each other. The couple become shepherds as a way to support themselves and are lonely and depressed without one another.

Many years pass, and the couple are reunited tending to their flocks, but do not recognize each other. One night, the man plays on the same flute, the very same song that she had played years ago at the pond. The woman begins to cry, overwhelmed with emotion and tells him the story of how she lost her husband.

Moments pass, and they finally recognize each other. They kiss and lived happily ever after.

Categories
Myths and Legends Pop Culture

The Mermaid of Zennor

St. Senara Church in Zennor

A popular Cornish folklore is the Mermaid of Zennor. The mermaid is beautiful, but there is one detail about this legend that is distinct from other mermaid legends. The human is the one with the enthralling singing voice, not the mermaid. 

The small town of Zennor in St. Ives, is known for two things: The Mermaid of Zennor and the Mermaid chair (located inside St. Senara’s Church). 

The legend is about a beautiful, young woman, dressed in fine clothes, who attended mass occasionally at St. Senara’s Church, located in the small coastal village of Zennor. The mermaid named Morveren never aged, which baffled the parishioners, who had seen her attend mass for years, and would watch her from Tregarthen Hill. Morveren was the daughter of the sea king Llyr and resided in Pendour Cove, which wasn’t that far from St. Senara’s Church.

After many years, Morveren became smitten with Matthew Trewella, who was “the best singer in the parish”. Matthew was known for having the most beautiful singing voice and was incredibly handsome. She was so infatuated with him, that she only attended mass to see him sing.

The Mermaid of Zennor, by John Reinhard Weguelin (1900)

Matthew, eventually figured out that the beautiful woman, was a mermaid disguised as a human. It didn’t take long for Matthew and Morveren to fall in the love. Yet, one thing ached Morveren. She desperately wanted to tell Matthew, that she was a mermaid, since she couldn’t be with him on land, knowng that she had to return to the sea.

When Morveren told Matthew that she had to leave, he told her that he couldn’t live without her in his life. So, Matthew followed Morveren to Pendour Cove, where she jumped into the water and he did the same. It is said, that they lived happily in the sea.

Locals wondered what had happened to the happy couple, since they had simply disappeared.

Years later, when a mermaid appeared to sailors, asking for the anchor to be raised, since she couldn’t reach her children. The sailors kindly obliged and raised the anchor for her. It’s speculated that the mermaid they had seen was none other than Morveren, the mermaid who had lured Matthew to live with her in the sea.

Pendour Cove locals say on calm nights, Matthew’s sweet voice can be heard over the waves. That if his voice is high, the waters will be calm, but if it his voice is low, it will be rough waters. Even in the ocean’s depths, Matthew still sings his love and devotion to the Mermaid of Zennor, Morveren.

The Mermaid Chair and Alter at St. Senara’s Church in Zennor

But our story, doesn’t end there.

Inside, St. Senara’s Church at Zennor, there is a 15th century, medieval seat carved with a mermaid. The Mermaid Chair as it’s called, depicts a mermaid holding a mirror and comb. It is said, that the mermaid in the carving is the Mermaid of Zennor and that this was the very seat, that she would listen to Matthew sing at the parish.

 

 

Categories
Myths and Legends Pop Culture

Kaysha Siemens: Fine Artist and Illustrator

WaveWatcher painting by Kaysha Siemens

Kaysha Siemens was born and raised in Canada, and currently resides in the state of North Carolina, USA. She is a very talented artist and illustrator, whose main mediums are graphite and oil.

Her style is unique and full of exquisite detail. Kaysha’s figures are flowing and fluid, while her backgrounds are linear and structured. This style gives Kaysha’s art balance and pulls you into her work!

Kaysha’s main source of inspiration is Greek Mythology. Her MNEMOSYNE collection is a compilation of all of her works inspired by the Greek Mythologies. MNEMOSYNE is the Greek Goddess of memory and the Mother of the Greek Muses. The Greek Muses were connected to the arts and to knowledge. 

Kaysha’s art and illustrations showcases an array of monsters, gods, goddess, NEREIDS (mermaids), and TRITONS (mermen).

According to Greek Mythology, the water nymphs were subcategorized into three kinds of species. The OCEANIDS resided in the sea, NEREIDS lived in freshwater and seawater, and the NAIADS lived in springs, lakes, and rivers.

Commissioned Mermaid Illustration by Kaysha Siemens

Kaysha’s mermaids are straight out of a fairy tale. In fact, none of   her mermaids are identical. They’re unique and have their own personality in their own little under the sea havens. Each mermaid is full of elaborate details, such as their hair and intricate tails. Her work is as compelling as a mermaid luring a sailor out at sea, singing her euphoric song!

Kaysha Siemens is definitely an artist to follow and she’s currently open for commissions!